NorsePlay.

While reading the Faulkes' translation of the Prose Edda , there's some hard numerical facts being thrown at King Gylfi by High, Just As High, and Third. In using these exact figures, it lends a level of concrete certainty and reportage to their account of things, which as readers and potential participants/victims of this fate, is unsettling. So to give ourselves an idea of the exact scale of The Twilight Of The Gods , and hopefully some sort of edge when the time comes, let's do some pre-doomsday math crunching so we know what to expect. When the three start speaking about Ragnarök , the scale of Vígríðr, the plain where this final battle unfolds, is brought up and given as 200 by 200 leagues, so this makes it 600 by 600 land miles, which means this becomes 360,000 square miles! To compare historically, we've only got WW2's Battle of Moscow which had a front of 373 miles, or if we go naval there's WW2's Battle of Leyte Gulf that spread over 100,000 square...

Inspired by the dark, dark Icelandic magical practice of making a pact with someone who will allow you to dig their body up, flawlessly skin their lower half and immediately wear that second epidermis over your own, then activate that skin by stealing a coin from a poor widow to place in its scrotum with a magic stave which will then always generate more coins invisibly stolen from those around you, the ritual of which the Necro Pants pedal grabs its name from. Known as the Nábrók from the 17th century Icelandic grimoire  Galdrabók , this effects pedal 's namesake and artful outline is taken from the hanging legs at the Galdrasýning á Ströndum (Museum of Sorcery & Witchcraft) in Hólmavík, where the exhibit has a reproduction of the necropants in a case. While one might perhaps imagine a semi- draugr -like dry skin-rubbing/chafing shuffle sound from wearing them, this effect pedal's been characterized as a filthy ripped speaker garage fuzz sound, which also seems invasivel...

Looking at the Norse Mythology themed art of Milivoj Ćeran , it takes one back to the core classic fantasy artists: the Brothers Hildebrandt, Frazetta , Vallejo, Lee , Elmore , and Howe. Ćeran's technique is flawless, the depictions are stylistically on point, and beyond this there's a reflexive integration of high fantasy's modern visual tradition which acknowledges those tropes' roots in the Norse Lore, which mirrors what one discovers when looking at the fantasy literature it comes from. You gamers might recognize Ćeran's brush as he's also done work for Wizards of the Coast, Fasa, Monte Cooke, Privateer Press, Fantasy Flight, and others. Hopefully the "Art Book 1" in the above title means there's more of his Norse-themed work on the way. [check out his other gallery selections and shop the above book and prints here !] #     #    # Guillermo Maytorena IV knew there was something special in  the Norse Lore when he picked up a copy of the d'A...